Taxi Driver has a lot of Film Noir characteristics. The visuals are very reminiscent of classic Noir with rainy streets and reflections of neon signs. There is also a voice over, a very common characteristic in Noir. The character of Travis is a classic character, a beat down hero who slips further into misery. At some point in the film, after being shot, Travis attempts suicide but has no ammunition in any of his weapons so sits on a sofa and waits for the police instead. This is heavily reminiscent of the Noir ideology of fate getting in everyone’s way, and making things difficult for him or her. There is a heavy sense of social issues, although they are different to those originally documented in the Noirs of the 40s and 50s. The effect of the Vietnam war is the main element in this film, much like the effect of WWII was in classic Film Noirs.
Travis: Loneliness has followed me my whole life. Everywhere. In bars, in cars, sidewalks, stores, everywhere. There's no escape.
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